Sônia Lopes Soares is a director, choreographer and performer. She has recently been researching dance as a vehicle to discuss and reflect man’s experiences in the world. In her works, together with Cia Viga, she seeks a collaborative process of creation, involving different artists and languages. Sonia explores the body as a reservoir of emotions, desires and memories, and how these experiences can be turned into communication.
Sônia was born in Rio de Janeiro, Brazil, and began her career as a ballerina at the Teatro Municipal do Rio de Janeiro (Municipal Theater of Rio de Janeiro). Between 1997 and 2003, she was the director and one of the performers for the group FAR-15, which she founded with choreographer Sandro Borelli in São Paulo.
In 2003, Sonia founded Viga Espaço Cênico, a cultural center in São Paulo, which she still directs with her partner Arnolfo Pimenta. Two years later, Sonia founded her own dance company, Cia Viga.
Michelle Boulé
Michelle Boulé is a choreographer, performer, teacher and Certified BodyTalk practitioner based in New York. Her work has been shown at American Realness, ISSUE Project Room (Emerging Artist Commission), Mount Tremper Arts Festival, Dance and Process at The Kitchen, Movement Research at Judson Church, Center for Performance Research, Catch Performance Series, Food for Thought at Danspace Project, and at Gertrudes iealis teatris in Latvia. She is currently continuing work on a trio commissioned by Danspace Project that will premiere in April 2015. Her collaborative duo with composer/cellist Okkyung Lee was most recently featured as the closing set for (((send + receive))) festival in Winnipeg, Canada, and has also been shown at The Stone and as part of ISSUE Project Room’s 10th Anniversary Season in 2013.
Kyle Abraham/Abraham.In.Motion
The mission of Kyle Abraham/Abraham.In.Motion is to create an evocative interdisciplinary body of work. Born into hip-hop culture in the late 1970s and grounded in Abraham’s artistic upbringing in classical cello, piano, and the visual arts, the goal of the movement is to delve into identity in relation to a personal history. The work entwines a sensual and provocative vocabulary with a strong emphasis on sound, human behavior and all things visual in an effort to create an avenue for personal investigation and exposing that on stage. A.I.M. is a representation of dancers from various disciplines and diverse personal backgrounds. Combined together, these individualities create movement that is manipulated and molded into something fresh and unique.
Boomerang Dance and Performance Project
BOOMERANG is a fearlessly physical, poetically-nuanced dance and performance project created in 2012 by co-directors Matty Davis and Kora Radella with founding member Adrian Galvin. Recognizing the body as an evolving repository for both physical and psychological life, boomerang sifts through and siphons from the rich, eclectic histories that constitute the personhoods of the people with whom they work. Guided and provoked by Radella’s gifts for idiosyncratic movement invention, unpredictable phrasing, and choreographic skills, boomerang creates unfailingly committed, physically intense, vulnerable explorations of how human histories might be sensitively layered, distorted, and recontextualized so as to yield new movement vocabularies and articulate the complex breadth of intra- and interpersonal relationships. They have been referred to as the “punk Mozarts of dance.”
Vanessa Walters
Vanessa Walters originally hails from Baltimore where she began dancing in high school at the Peabody Institute. She then came to NYC, got her BFA at NYU’s Tisch of the Arts, and has lived here ever since. Since 2001, Walters has been the lead choreographer of Fischerspooner, a performance group known for combining pop entertainment with a high art sensibility. The most recent Fischerspooner show, “Between Worlds”, was created in collaboration with the Wooster Group. She has choreographed, staged, and performed in Fischerspooner shows and music videos, for both music and concert venues and non-proscenium, interactive gallery shows. Her work with Fischerspooner has appeared at London’s Royal Festival Hall, Hammerstein Ballroom, New York City’s Deitch Projects, MOCA in Los Angeles, and the Pompidou Center in Paris as well as TV appearances on Top of the Pops, The Jimmy Kimmel show, and The Carson Daly Show. Walters has also choreographed music videos for Zola Jesus, AVAN LAVA, CREEP, Blank Dogs, Department of Eagles, Cyndi Lauper, Kings of Leon, Jamie Lidell/Nintendo, as well as live events for Mercedes Benz, Juicy Couture, House of Diehl, and Narcissister, among others.
Ori Flomin
Ori Flomin is an independent choreographer, dancer, dance and yoga instructor and a Shiatsu therapist based in New York City.
At an early age, he danced in his parents living room and created performances to the music of West Side Story and Tchaikovsky for family and friends. He then studied jazz, ballet and contemporary dance in his native Israel. After finishing military service he appeared in the musical Peter Pan, his first job as a dancer. He then moved to New York City at age 22 to become a professional dancer.
He spent his first years in New York attending classes and auditioning. An audition in February 1991 led to his joining the Stephen Petronio Dance Company, where he was a featured dancer for eight years. Later, in 2005, he rejoined the company as assistant to the artistic director.
Over the years Flomin also had the pleasure of dancing in works by Maria Hassabi, Neil Greenberg, Molissa Fenely, Tim Feldman, Michael Clark and Kevin Wynn, among others.
Angier Performance Works
Angier Performance Works are dance theater and site specific works, performed installations, and walking performance pieces created by D. Chase Angier in collaboration with other artists. Intuitively driven and visually inspired, each performance is distilled down to the core essentials and shaped into minimal and specific choreography. The work mixes movement with other art forms through her collaboration with dynamic creative artists in the Visual Arts, Performance, Music and Theater. Angier Performance Works have been performed internationally and nationally in theaters, galleries, and visually inspired sites.
Alexandra Beller/Dances
Alexandra Beller/Dances is an ensemble of highly skilled dancer/actors working on the edge between dance and theater. Rich with personal revelations, performances attempt to move, stimulate, impassion and incite the audience. Ripe with metaphor, abstracted narrative and controversial ideas, the dances traffic through the dangerous territory of homophobia, sexism, and emotional isolationism. The company seeks to intersect distinctions between races, nationalities, sexual orientations and political affiliations through a series of artistic collisions. The creations are a truly unique hybrid form, where speaking and moving are essential forces in the creation of meaning. Dances often pay homage to great writers and fertile landscapes of words are often used to create a sense of place, time and relationship. Movement is a key to the startling, idiosyncratic and mysterious information that resides in the body. The process is highly collaborative and focuses on bringing as many artistic models to the table as possible in an attempt to create original imagery, sound and structure. Humor, irony, satire and pathos are interchangeable in the drive towards meaning. Education, performance, discussion and community involvement are all pathways taken towards audience and community partnerships.